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Wäinölä 🇫🇮

Wäinölä 🇫🇮

@wainola

The abode of Wäinämöinen • Finnic & Finno-Ugric religion, mythology, folklore, culture, and history (with emphasis on Finland & Karelia) — and occasionally other things • No conspiracy nonsense •
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Post #1152 291
Posthumous drawing of Aleksis Kivi (based on the corpse when he had been dead for three days) versus a photo found in the Ilmoni household, where a photograph of Kivi is said to have existed.

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Post #1144 361
The true likeness of Aleksis Kivi finally discovered?

The hunt for a photograph of Aleksis Kivi (10/X 1834 – 31/XII 1872; born Alexis Stenvall), considered by many to be the founder of Finnish fiction, has been going on for over a century.

No officially recognized and securely identified portrait of Kivi exists, despite Arne Hjalmar Ilmoni (1877 – 1960) having maintained until his death that his family owned the only photograph of Finland's national author. Several people corroborated this, saying that they had seen the photo and that it had «A. Kivi» written on the verso.

Now, while the Ilmoni family wasn't wealthy, Arne's father Axel Hjalmar Ilmoni (1835 – 1914) was a surgeon and quite a remarkable man. Akseli Gallen-Kallela wrote:

“I remember how the old Doctor Ilmoni, at an after-party during the time of Lauri Kivekäs,¹ in great agitation took it upon himself to raise the question of why I always depict the Finnish Kalevala heroes and others as so terribly ugly. If I were to change course, he said, it would certainly do me good. Then the Finnish people would carry me on their hands, he said.”

— Kallela-kirja (1924) [transl.]

¹) ~1887 – 1893

Arne's claim appeared even in print, but after his death the photo disappeared. The family's possessions that hadn't been taken by relatives (who weren't all that interested in most of them) were carried outside, an unknown portion was burned and the remainder left to rot in the rain and the house was torn down.

Did anything survive? I know for a fact that some of the culturally most valuable items did — Axel Hjalmar's copy of Mythologia Fennica (1789), which bears both his and Arne's ownership markings, is sitting on my desk as I'm writing these words! The National Heritage Agency also has some papers, correspondence et cetera, and some family photos survive in various places (including in print), but no photograph with the writing A. Kivi is known to exist today.

The three photographs presented here all come from the Ilmoni household. I have a photograph of Arne Ilmoni looking at a photo album in his living room, with the top-right photo in the collage visible, and the two other photos, which I discovered in the archives of the Vapriikki museum, along with some photos of Arne, were removed from the album and photographed by Ensio Kauppila in the 1950s. They were identified by the photographer only as being from the Ilmoni household.

The full uncropped photographs will be posted separately along with all the metadata I have managed to gather.

There was also an article titled “Aleksis Kiven valokuva, vakuuttaa Arne Ilmoni” [A photo of Aleksis Kivi, Arne Ilmoni insists] published in Uusi kuvalehti 1957:6, pp. 8–9, but I could not find a copy of it in time for Aleksis Kivi Day (10.10.2026).

The top-right photograph, which has not been authenticated as a portrait of Kivi, is available through Alamy. However, the presence of a historical photograph on a commercial image-licensing platform does not, by itself, establish copyright ownership. A faithful reproduction does not automatically create a new copyright in an otherwise public-domain image.

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Post #1143 489
Accidental deaths in Finland in 1851:

- 48 infants suffocated by mothers and wet nurses / nurses
- 94 other accidental deaths
- 595 drowned
- 3 killed by lightning
- 74 died from carbon monoxide / smoke and cold
- 55 fell to their deaths
- 40 froze to death
- 75 crushed
- 53 died from unknown causes
- 56 died from intoxication /drunkenness
- 3 snakebites
- 3 killed by animals
- 2 choked on food
- Total 1,101

— Suometar 1853 #4 p. 3.

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Post #1142 378

Forwarded from Survivalism, Permaculture & Bushcraft (Ẅäïn̈äm̈öïn̈ën̈ • Eternal Bigot 🇫🇮)

“The Evenks have a belief that life never ends. The fire lit by ancestors will be maintained from generation to generation. My ancestors were reindeer herders. They lived in a chum, my grandmother sang folk tunes to my mother, and she passed them on to me when I was little. Children are always close to the upper world of spirits. It is from there that their soul bird flies to us, to which we address our songs.

The Evenks are an indigenous people of Russia. Descendants of the inhabitants of the Tungusic state, the golden empire. Today they live in territories from the Urals to the Pacific Ocean, from the Arctic Ocean to the steppes of Mongolia. They spread Tungusic culture and heritage. Now it's my turn to pass on the traditions further, through my songs. Grandmother to mother, mother to me, and I to the whole world. I am Aina, 🔗 an author and folk performer.”

@SPBchannel
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Post #1141 586
“A louse in the living; a worm in the dead.”

— Henricus Matthiæ Florinus: Wanhain Suomalaisten Tawaliset ja Suloiset Sananlascut (1702)

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Post #1140 2.43K
The Milk Hare, or Tussegutt

“A dear child has many names,” and indeed, no one was dearer to the housewives of Finnskogen (in Norway) a century ago than the tussegutt, or milk hare. Its proper Finnish name is para. It was also called the milk imp (melkepuken).

It was a creature that required a great deal of work and sorcery to make, but once it was finished it was also a fellow that could make itself useful. Its task was to go around all the cowsheds at night and suck milk from the cows — only a little from each cow, so that it would not be noticed. Once full, it ran home and poured the milk into a tub, which had to be standing ready with even the smallest splash of milk in it, so that the tussegutt would know where to deliver the milk.

It was incredible how far such a tussegutt could run. Old people claimed that it could run across seven parishes in a single night. But then it would also be full of milk when it came home.

All sensible housewives had tussegutter in the old days.

Old Lauri Lehmoinen, who died many years ago, told how such a tussegutt was made.

One took an old, worn-out fur cap and filled it with nine different kinds of woollen yarn, clasps, and hooks — hooks like those on a spinning wheel that guide the thread had to be included, otherwise there would be no tussegutt. All this was stuffed into the fur cap, and it was tied together so that it took on roughly the shape of a hare.

For legs, four large maple knitting needles were used. They had to have actually been used for knitting, otherwise they were no good. Two smaller knitting needles were used for the ears, and two silver buttons — inherited silver — for the eyes. The mouth had to be large enough for it to gape around the teats of a cow. For a tail it had to have a small twig of linden.

The tussegutt was now finished, but the worst remained: bringing it to life. That required old, experienced people; it was no use for beginners to try.

One had to have twigs from nine different kinds of deciduous tree, and with these twigs the tussegutt had to be whipped on nine successive Thursday nights, from sunset until sunrise. Two people were required, because the whipping had to continue without interruption. They were not allowed to speak or do anything else, but only keep whipping and endlessly repeat the following magic formula:

“Who is here seeing, who is here hearing, and who is here giving warning, so that the para is not born?”

If anyone lay in wait and watched them, no tussegut came into being.

If everything had been done properly, the tussegutt came alive on the last Thursday night, and was immediately ready to begin its work.

A tussegutt could be shot with inherited silver. A man at Purala (Puranstorp) once shot one of these things as it ran about at night sucking milk from the cows.

The tussegutt could also be rendered harmless in another way. If, along the route where the tussegutt ran, one found paranpaska (“para dung”), and whipped it with switches from nine species of deciduous tree, the tussegutt was rendered harmless. But if the owner of the tussegutt could borrow something from the person who had done the whipping, the tussegutt became as good as new again.

One night, toward morning, the traveling Karlstorp shoemaker awoke because something was shuffling about on the floor and crying:

“Tub! Tub!”

“I’ll give you a tub!”

shouted the shoemaker. He seized his strap and struck the tussegutt so that the milk splashed out.

The housewife had forgotten to put out a milk tub for the tussegutt, and therefore it did not know where it was supposed to deliver the milk.

I have heard from other old men knowledgeable in magic that, in order to remain alive, the tussegutt had to suck blood from the housewife’s left ring finger, which therefore always had to have an open wound.

“But,” said Lauri Lehmoinen, “the tussegutt must surely have lived on all the milk it carried inside itself. It didn’t give all of it away; it had to keep some for itself.”

— Olaf Lindtorp: Finnskogens folk (1940) [ transl. & abbr. ]

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Post #1139 1.28K
Stay tuned for more journeys of exploration into the mythic lands of Finno-Ugria.

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Post #1137 1.34K
If your first thought on seeing birches is “bar codes,” your soul may require immediate woodland treatment.

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Post #1136 1.46K
“To the memory of the Shemeikka and Vornanen lineages of rune-singers and hunters.

Wayfarer, halt! The spirits of the noblest of your people address you from antiquity.

Erected by the Karelian Cultural Society with the support of the public in the summer of 1929.”

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Post #1135 985
As with Varemöhk, Frestreikka, or Metä Äijä ('Man of the Forest') was likewise the recipient of offerings at the Syytinkoukar sacrificial niche in Muurla, Finland.

Recorded tradition maintains that in the 1850s and 1860s hunters would still offer bird toes and paws of the mountain hare. At the time of my visit there were coins and flowers left there by other visitors.

Photographs by:

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Post #1134 1.16K
A glacial erratic in Muurla, Finland, known as Varemöhk. Offerings were made here to a forest guardian called Frestreikka, whose pedigree leads to Viena (White Karelia), from where his cult was carried to this village by White Karelian wolf hunters.

Based on the items found at the site, the worship seems to have continued at least into the 1950s.

Photograph by:

[ Wäinölä 🇫🇮 ]
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Post #1133 3.77K
“Another time the Chudes¹ came in great numbers to Lake Nuortijärvi — for Nuortijärvi lay along one of their main routes through Kola — and they laid waste to an entire Skolt Sámi village, killing every soul. Only one lass they spared, taking her along with them, supposedly as a cook.

At the mouth of the Lutto River they stopped and spent the night in an abandoned cabin. There the lass began to pity the men, saying:

«You poor fellows are terribly dirty and your clothes are in a dreadful state. Would it not be a good idea now to wash all your garments clean, since there is plenty of water and a kettle here? I will do the washing.»

«Well, that would be fine,» said the men, and they took off all their clothes and lay about completely naked in the sauna while she went off to do the washing. But she stuffed the rags, the kettles, and everything else into the ice-hole and fled.

At last the saundrels² realized the washergirl’s treachery and set off in pursuit of her. But they all froze in the winter frost. One of them managed to run as far as Rippisalmi before collapsing onto the ice, bent over and exhausted.”

— Samuli Paulaharju: Kolttain mailta (1921) [“From the Lands of the Skolts”], p. 32. Quoted segment translated by Wäinölä.

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¹) The Čuđit are hostile foreign raiders or enemies in Sámi tradition, often associated locally with peoples approaching from the south or east.

²) Neologism from sauna & scoundrel. Coined for this post. Original text has the word saunakyöpelit, but in lack of a suitable accurate translation, a wee bit of liberty was taken.

Photo: Skolt girl Marja Gerasimov doing laundry. Taken by Frans Äimä, Kolttaköngäs, Petsamo, 1927. Colorized and extended sideways [incl. actual manual work, not just clicking on buttons]. Original photo (CC BY 4.0): Finna.fi 🔗

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