Post #5497
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Leonor Fini
"Witches," 1959
Painted for her muse and friend, Mexican film icon Maria Felix, this work marks a departure from Fini’s typical surrealism, embracing instead a baroque intensity. Within a swirling vortex of ochre and crimson hues, female figures intertwine. For Fini, the witch is no malevolent sorceress, but a symbol of absolute feminine autonomy—hidden power, magic, and independence from the male gaze.
Bright Bits
"Witches," 1959
Painted for her muse and friend, Mexican film icon Maria Felix, this work marks a departure from Fini’s typical surrealism, embracing instead a baroque intensity. Within a swirling vortex of ochre and crimson hues, female figures intertwine. For Fini, the witch is no malevolent sorceress, but a symbol of absolute feminine autonomy—hidden power, magic, and independence from the male gaze.
Bright Bits
- 🤩 5
- 🌭 5
- 🤣 4
- 👎 1


















