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Post #304 473
''The ideas of Carl Gustav Jung on Anima and Animus and the theme of The Steppenwolf by Hermann Hesse have been drawn from this musical work of Mozart. It has been said the symbolism of The Magic Flute might be inspired by Masonic secret clues whose public disclosure would have meant the death of Mozart. Professor Jung and Hermann Hesse also had connections with Freemasonry. In Damian the symbolism seems clear. He is a Cainite, a Son of the Widow, of Eve. In a list of Masons, published during my stay in Switzerland, there appeared the name of C. G. Jung. This would explain his contradictions in the analysis he made of the personality of Adolf Hitler and the German soul, including what he called the Aryan 'Collective Unconscious.' Yet I do not see what the theme of The Magic Flute can have to do with Freemasonry. Though, yes, that theme has to do, and very much, with Hyperborean tradition and revelation and with the highest Love poetry of the German MinnesΓ€nger. If Mozart were assassinated by the Freemasons that would have been for his freedom and independence, because he surely rebelled against them and because his work was too great, dangerous, altogether too German.''

β€”Miguel Serrano: MANU, For The Man To Come
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