Еще немного Томарри, уж извиняйте, мой эксперимент с новыми шипами идет слишком хорошо! Даже пришлось сделать постоянные лица для Гарри и более взрослого Тома.
Я дочитала
What was said in the woods, и мне понравилось. На фикбуке перевод отвратительный, так что пришлось дочитывать уже на английском с жпт.
Промпт визуального стиля в закрепе выше, промпт композиции в цитате под спойлером. Если будете брать, пожалуйста, покажите ваши результаты! Очень интересно!
Use the attached portrait references for Harry @img2 and Tom @img1. Preserve their recognizable faces, facial structure, age, skin tone, eye shape, hair texture, and distinctive features.
Tom occupies the lower foreground, reclining diagonally against a soft cushioned backrest. His upper body leans backward, while his head is tilted slightly toward the left side of the frame. Harry is positioned directly behind and above him, leaning forward over Tom’s shoulder so that their bodies overlap closely.
Harry lowers his head beside Tom’s, with his cheek and jaw hovering just above Tom’s temple and hairline. His face is fully visible, angled downward and slightly toward the camera. Tom’s head rests beneath Harry’s chin, with the side and back of Tom’s head lightly pressed against Harry’s upper chest and shoulder. Their faces remain close but do not overlap.
Tom raises his right arm upward along the right side of the composition. His elbow is bent above shoulder level, and his forearm passes beside Harry’s head. Tom’s right hand reaches behind Harry’s neck and rests gently against the back of Harry’s head, holding him close. Make it anatomically clear that this raised arm belongs to Tom, not Harry.
Harry’s torso curves protectively around Tom from behind. Keep both bodies relaxed and closely aligned, with natural pressure at the points of contact. Tight vertical portrait crop, chest-up composition, Tom lower in the frame and Harry filling the upper portion, with very little empty space between them.
Intense crimson light pours through large red stained-glass windows behind the characters, surrounding their overlapping silhouettes with an irregular ruby-red glow. Fragmented stained-glass patterns fall across the dark wall, their clothes and Tom’s raised sleeve, while both faces remain clear and unobstructed.
Soft cool-blue ambient light spills into the scene from outside the frame, creating subtle blue reflections along Harry’s cheekbone, jaw and hair, then continuing across Tom’s forehead, cheek and the edge of his raised forearm. The blue illumination has no visible source and appears only as reflected light on the characters. It gently reveals their facial structure without overpowering the red stained-glass glow.
Deep black shadows, saturated crimson backlight and restrained blue highlights create a dramatic gothic contrast. No lamps, lanterns, spotlights, light fixtures or visible artificial light sources anywhere in the composition.
