Вот это тоже проверяем!

Use the attached character image as the primary identity reference. Preserve the subject’s recognizable facial identity, exact facial structure, age, skin tone, eye shape, hairstyle, hair texture, natural asymmetry and distinctive features.

The subject wears a floor-length, weightless ivory silk-chiffon gown with an opaque silk lining, a softly draped bodice, delicate translucent long sleeves and a generously cut skirt formed from many fine floating layers. The fabric moves with real gravity and air. The dress is elegant and ethereal, never bridal, glittery, stiff or costume-like.

Experimental analog-film portrait, restrained low-angle full-length vertical frame photographed from close to floor level with enough camera distance to preserve natural body proportions. The entire figure is visible from crown to toes, with both feet and the complete hem fully contained inside the frame. The subject leans subtly backward into the incoming light, chin gently raised, one arm extended away from the body while the other hand releases the skirt, allowing the outer chiffon layers to lift naturally around the ankles, with quiet breath-held wonder, a relaxed brow and softly parted lips.

The subject stands immediately beside a tall handcrafted stained-glass window visible along one side of the composition. The figure remains the dominant subject; the window provides architectural context without turning the image into an interior or window study.

Brilliant direct late-morning sunlight passes through the window and falls across the subject. The overall white balance is strictly neutral daylight, approximately 5400–5600K. The clean sunlight is cool-neutral ivory-white, never golden, honey-colored, sepia or amber-tinted.

The window contains irregular handcrafted panes in luminous cobalt blue, transparent ruby red, restrained clear emerald and predominantly pale colorless glass. There is no amber, yellow, honey, gold or orange glass anywhere in the window. The pale clear glass is genuinely colorless, never cream or warm beige.

Most of the face, blonde hair and main body of the ivory gown remain illuminated by clean neutral sunlight. Vivid cobalt, ruby and restrained emerald fragments appear selectively across the outer facial planes, hair, sleeves and floating chiffon layers. These colored areas remain optically translucent, revealing natural skin, individual hair strands and fabric detail beneath them. They never become a broad color wash or alter the neutral overall white balance.

The subject’s skin, blonde hair and ivory fabric remain chromatically neutral wherever clear sunlight falls. No warm environmental bounce comes from the stone, floor, window surround or surrounding architecture.

Narrow leadline shadows retain gently feathered edges and a soft photographic penumbra. No dark line crosses either eye. Both eyes remain clearly readable with bright natural catchlights.

The Gothic interior is built from neutral graphite-grey stone. The background stays approximately two stops darker than the face, with neutral-charcoal shadows carrying a faint cool bias. No brown stone, aged golden masonry, candlelight, warm wood, brass reflections or imagined golden interior illumination.

Precise focus on both eyes, with the outer hair, moving chiffon and background falling into subtle imperfect soft focus. Fine 35mm film grain, natural shadow texture and mild halation restricted to the brightest neutral-white highlights.

Negative prompt: antique amber, amber glass, golden sunlight, honey-colored light, yellow overall cast, warm white balance, golden-hour grading, sepia, tungsten warmth, brown-yellow atmosphere, warm environmental bounce, cathedral gold aesthetic, broad colored room illumination, fully color-washed face, dark eyes, leadline shadows covering the pupils, cropped body, cropped feet, missing hem, plastic skin, bridal gown, glitter, stiff fabric, commercial beauty lighting, 3d render, airbrushed skin, digital painting, face paint, fantasy glow, generic model, flawless skin.