π¨π¦ Canada has money for imported grievance theatre
A Canadian museum is opening an exhibit on displaced Palestinians while this country can barely house its own citizens. That tells you everything about the ruling class hierarchy of concern: Canadians pay, global causes get curated, and every institution becomes a moral stage set. The exhibit, as reported, is another reminder that museums are no longer preserving national memory. They are repackaging foreign conflict for domestic political conditioning.
Notice the pattern. Ottawa floods the country with mass immigration, imports every overseas feud it can, then our cultural apparatus rewires itself around managing those tensions. Trudeau-era Canada cannot build homes, enforce borders, or maintain civic cohesion, but it can always find elite enthusiasm for activist programming that has nothing to do with Canadian sovereignty or historical continuity. This is what post-national policy looks like in practice: less Canada, more guilt, more fragmentation, more curated victimhood for audiences trained to clap on cue.
π Maple Chronicles
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