признаки ранней весныюжная готика дорогие подписчики! 1 мая сыграем в Электроспирте вместе с сияж и slowed это будет первый наш концерт в новом составе как синт-павер-трио 👻👻👻 будем играть песни из нового альбика, обязательно приходите!
признаки ранней весныюжная готика дорогие подписчики! 1 мая сыграем в Электроспирте вместе с сияж и slowed это будет первый наш концерт в новом составе как синт-павер-трио 👻👻👻 будем играть песни из нового альбика, обязательно приходите!
уже завтра… ПРИХОДИТЕ И НАСЛАЖДАЙТЕСЬ СИЯЖ И СЛОУД (и нами тоже)
Who am I to tell you how to feel about something as subjective as music. Go ahead: like what you like and hate what you hate.
Except with ПРВ. If you don’t love ПРВ you’re objectively wrong.
Сан Панк & Илчо Пријатељ have repeatedly delivered over the past 1 year with ЙОГУРТ ИЗ КАРТОННЫХ КОРОБОК, their Technicolor explosion of a debut, МИЛЕЙШИЕ ЖИВОТНЫЕ, the once under-appreciated classic that has since found its much deserved respect, and ПРОТИВ ВСЕГО ЗЛА, a dense and paranoid journey that is their current underrated work.
However, as their паблик ВК asks: КТО ТАКИЕ ПРВ?
They are nice, funny, and extremely thoughtful guys, but you would never know they're the architects of some of the most uncompromising music of the 21st century, with a perfect track record and without a misstep after nearly 1,5 years.
This leads us to ПРВ’s 4th release: РАННЕЙ ВЕСНЫ ПРИЗНАКИ ЕР. They'll do it again! It will be a slice of magic that'll fit perfectly into the ПРВ oeuvre and might be their best to date. Сан Панк and Илчо themselves have described it as “SLEEPLESS IN РОСТОВ directed by Уэс Андерсон”.
But the game of “this meets that” might not work when it comes to ПРВ. All you need to say about a ПРВ record is “This is a ПРВ record” and the promise and potential is guaranteed to pay out like a slot machine.
ПР 
