OUR LOVERS: Be YOURs.ㅤㅤ ㅤㅤ“KANAIA BEAUFORT” 1203. ㅤㅤKau dan aku saling membantu, ⠀⠀ membasuh hati yang pilu— ⠀⠀mungkin akhirnya tak jadi satu, ⠀⠀ namun bersorai pernah bertemu. ㅤㅤ
ㅤㅤ In the beginning they promised me salvation if only I learned to build. So I raised sanctuaries out of flesh, carved towers from borrowed names, as KANAIA BEAUFORT I flew by, and placed upon the altar the visage of Lauma—a mask to be worshiped, or perhaps to be blamed. But every temple I erected fell to the same hands that had once shaped it, and every scripture of my being was redrafted until the parchment itself wept with contradictions.
Within the wreckage, Yor Briar, Yuuki Asuna, Aya Aulya, and Ahn Yujin linger like fevered apostles. One bears a torch as if to illuminate, another strikes the pillars into dust, another kneels to gods who have long turned their faces away. They are martyrs and betrayers, saints in their silence, executioners in their breath. Their gospel is not salvation but collapse, and I remain the cathedral they could not complete—neither holy nor profane, trembling in the rift between devotion and desecration.
What remains is less a testament than a hymn unraveling at its last note. A city of dust clinging to its faint ember, a psalm still echoing though the choir has abandoned the nave. I endure as ruin and as relic, consecrated in blasphemy, condemned by faith that gnaws at its own foundation.
Step closer, if you will. Do not expect symmetry or sanctity. Seek instead the fissures where stray light bleeds through, the half-erased prayers scratched into collapsing stone. There, among the fractures, is where I dwell. There lies the only truth I can offer you: a ruin that refuses to be silenced, a devotion that survives only because it is broken. ㅤㅤ
ㅤㅤ ㅤㅤ“KANAIA BEAUFORT” 1203. ㅤㅤKau dan aku saling membantu, ⠀⠀ membasuh hati yang pilu— ⠀⠀mungkin akhirnya tak jadi satu, ⠀⠀ namun bersorai pernah bertemu. ㅤㅤ
OUR LOVERS: Be YOURs.ㅤㅤ ㅤㅤ“SÄHZEIR REED” 0137. ㅤㅤLa mesure de l'amour, c'est ㅤㅤd'aimer sans mesure. A ㅤㅤkamikaze existence in the ㅤㅤbeauty of volcanic things. ㅤㅤ
ㅤㅤ In the beginning they promised me salvation if only I learned to build. So I raised sanctuaries out of flesh, carved towers from borrowed names, as SÄHZEIR REED I flew by, and placed upon the altar the visage of Uzuki Kei—a mask to be worshiped, or perhaps to be blamed. But every temple I erected fell to the same hands that had once shaped it, and every scripture of my being was redrafted until the parchment itself wept with contradictions.
Within the wreckage, Artem Wing, Yomi, and Rerir linger like fevered apostles. One bears a torch as if to illuminate, another strikes the pillars into dust, another kneels to gods who have long turned their faces away. They are martyrs and betrayers, saints in their silence, executioners in their breath. Their gospel is not salvation but collapse, and I remain the cathedral they could not complete—neither holy nor profane, trembling in the rift between devotion and desecration.
What remains is less a testament than a hymn unraveling at its last note. A city of dust clinging to its faint ember, a psalm still echoing though the choir has abandoned the nave. I endure as ruin and as relic, consecrated in blasphemy, condemned by faith that gnaws at its own foundation.
Step closer, if you will. Do not expect symmetry or sanctity. Seek instead the fissures where stray light bleeds through, the half-erased prayers scratched into collapsing stone. There, among the fractures, is where I dwell. There lies the only truth I can offer you: a ruin that refuses to be silenced, a devotion that survives only because it is broken. ㅤㅤ
OUR LOVERS: Be YOURs.ㅤㅤ ㅤㅤ“JANAÍNA HÉLDER” 0704. ㅤㅤEvery road leads back to you, ㅤㅤeven the ones I swore never would. ㅤㅤ
ㅤㅤ In the beginning they promised me salvation if only I learned to build. So I raised sanctuaries out of flesh, carved towers from borrowed names, as JANAÍNA HÉLDER I flew by, and placed upon the altar the visage of Kim Jaeyoung—a mask to be worshiped, or perhaps to be blamed. But every temple I erected fell to the same hands that had once shaped it, and every scripture of my being was redrafted until the parchment itself wept with contradictions.
Within the wreckage, Lee Nok, Tei Woodvan, Lee Sangwon, Sherry Birkin linger like fevered apostles. One bears a torch as if to illuminate, another strikes the pillars into dust, another kneels to gods who have long turned their faces away. They are martyrs and betrayers, saints in their silence, executioners in their breath. Their gospel is not salvation but collapse, and I remain the cathedral they could not complete—neither holy nor profane, trembling in the rift between devotion and desecration.
What remains is less a testament than a hymn unraveling at its last note. A city of dust clinging to its faint ember, a psalm still echoing though the choir has abandoned the nave. I endure as ruin and as relic, consecrated in blasphemy, condemned by faith that gnaws at its own foundation.
Step closer, if you will. Do not expect symmetry or sanctity. Seek instead the fissures where stray light bleeds through, the half-erased prayers scratched into collapsing stone. There, among the fractures, is where I dwell. There lies the only truth I can offer you: a ruin that refuses to be silenced, a devotion that survives only because it is broken. ㅤㅤ
OUR LOVERS: Be YOURs.ㅤㅤ ㅤㅤ“OSRIC HOTTWALD” 1226. ㅤㅤAlways seeing the bright side ㅤㅤthings but, I must always be ㅤㅤprepared for the worst to arise ㅤㅤin all cases. ㅤㅤ
ㅤㅤ In the beginning they promised me salvation if only I learned to build. So I raised sanctuaries out of flesh, carved towers from borrowed names, as OSRIC HOTTWALD I flew by, and placed upon the altar the visage of Vyn Richter—a mask to be worshiped, or perhaps to be blamed. But every temple I erected fell to the same hands that had once shaped it, and every scripture of my being was redrafted until the parchment itself wept with contradictions.
Within the wreckage, Ling Xinlu, Tetchou Suehiro, Kevin Kaslana, and Sebastian Michaelis linger like fevered apostles. One bears a torch as if to illuminate, another strikes the pillars into dust, another kneels to gods who have long turned their faces away. They are martyrs and betrayers, saints in their silence, executioners in their breath. Their gospel is not salvation but collapse, and I remain the cathedral they could not complete—neither holy nor profane, trembling in the rift between devotion and desecration.
What remains is less a testament than a hymn unraveling at its last note. A city of dust clinging to its faint ember, a psalm still echoing though the choir has abandoned the nave. I endure as ruin and as relic, consecrated in blasphemy, condemned by faith that gnaws at its own foundation.
Step closer, if you will. Do not expect symmetry or sanctity. Seek instead the fissures where stray light bleeds through, the half-erased prayers scratched into collapsing stone. There, among the fractures, is where I dwell. There lies the only truth I can offer you: a ruin that refuses to be silenced, a devotion that survives only because it is broken. ㅤㅤ
OUR LOVERS: Be YOURs.ㅤㅤ ㅤㅤ“GRIFFIN HALVORSE” 2407. ㅤㅤDo not just love me in the daylight ㅤㅤwhere it is easy; haunt me in the ㅤㅤmidnight of my soul, for I would ㅤㅤrather drown in the depths of ㅤㅤyour mystery than live in a world ㅤㅤof shallow clarity. ㅤㅤ
ㅤㅤ In the beginning they promised me salvation if only I learned to build. So I raised sanctuaries out of flesh, carved towers from borrowed names, as GRIFFIN HALVORSE I flew by, and placed upon the altar the visage of Till—a mask to be worshiped, or perhaps to be blamed. But every temple I erected fell to the same hands that had once shaped it, and every scripture of my being was redrafted until the parchment itself wept with contradictions.
Within the wreckage, Rafayel Qi, Chuuya Nakahara, Yoru, Luke Davis, and Jason Todd linger like fevered apostles. One bears a torch as if to illuminate, another strikes the pillars into dust, another kneels to gods who have long turned their faces away. They are martyrs and betrayers, saints in their silence, executioners in their breath. Their gospel is not salvation but collapse, and I remain the cathedral they could not complete—neither holy nor profane, trembling in the rift between devotion and desecration.
What remains is less a testament than a hymn unraveling at its last note. A city of dust clinging to its faint ember, a psalm still echoing though the choir has abandoned the nave. I endure as ruin and as relic, consecrated in blasphemy, condemned by faith that gnaws at its own foundation.
Step closer, if you will. Do not expect symmetry or sanctity. Seek instead the fissures where stray light bleeds through, the half-erased prayers scratched into collapsing stone. There, among the fractures, is where I dwell. There lies the only truth I can offer you: a ruin that refuses to be silenced, a devotion that survives only because it is broken. ㅤㅤ
ㅤㅤ ㅤㅤ“GRIFFIN HALVORSE” 2407. ㅤㅤDo not just love me in the daylight ㅤㅤwhere it is easy; haunt me in the ㅤㅤmidnight of my soul, for I would ㅤㅤrather drown in the depths of ㅤㅤyour mystery than live in a world ㅤㅤof shallow clarity. ㅤㅤ
OUR LOVERS: Be YOURs.ㅤㅤ ㅤㅤ“MEOWYY LUNELLY” 2603. ㅤㅤ You’re asking me to stay.. how ㅤㅤ could i refuse, when your voice ㅤㅤ already feels like something i’ve ㅤㅤ waiting for all along? ㅤㅤ
ㅤㅤ In the beginning they promised me salvation if only I learned to build. So I raised sanctuaries out of flesh, carved towers from borrowed names, as MEOWYY LUNELLY I flew by, and placed upon the altar the visage of Nicole—a mask to be worshiped, or perhaps to be blamed. But every temple I erected fell to the same hands that had once shaped it, and every scripture of my being was redrafted until the parchment itself wept with contradictions.
Within the wreckage, Yoi Takiguchi, Mizi, Rudbeckia, Cyrene, and Sangzhi linger like fevered apostles. One bears a torch as if to illuminate, another strikes the pillars into dust, another kneels to gods who have long turned their faces away. They are martyrs and betrayers, saints in their silence, executioners in their breath. Their gospel is not salvation but collapse, and I remain the cathedral they could not complete—neither holy nor profane, trembling in the rift between devotion and desecration.
What remains is less a testament than a hymn unraveling at its last note. A city of dust clinging to its faint ember, a psalm still echoing though the choir has abandoned the nave. I endure as ruin and as relic, consecrated in blasphemy, condemned by faith that gnaws at its own foundation.
Step closer, if you will. Do not expect symmetry or sanctity. Seek instead the fissures where stray light bleeds through, the half-erased prayers scratched into collapsing stone. There, among the fractures, is where I dwell. There lies the only truth I can offer you: a ruin that refuses to be silenced, a devotion that survives only because it is broken. ㅤㅤ
ㅤㅤ ㅤㅤ“MEOWYY LUNELLY” 2603. ㅤㅤ You’re asking me to stay.. how ㅤㅤ could i refuse, when your voice ㅤㅤ already feels like something i’ve ㅤㅤ waiting for all along? ㅤㅤ
OUR LOVERS: Be YOURs.ㅤㅤ ㅤㅤ“BRAMANTYA ABYASA” 0110. ㅤㅤ Sepandai-pandainnya tupai ㅤㅤ melompat, akhirnya akan jatuh ㅤㅤ juga. Sejomblo-jomblonya kamu ㅤㅤ sekarang, akhirnya rent saya juga. ㅤㅤ
ㅤㅤ In the beginning they promised me salvation if only I learned to build. So I raised sanctuaries out of flesh, carved towers from borrowed names, as BRAMANTYA ABYASA I flew by, and placed upon the altar the visage of Sadewa Sagara—a mask to be worshiped, or perhaps to be blamed. But every temple I erected fell to the same hands that had once shaped it, and every scripture of my being was redrafted until the parchment itself wept with contradictions.
Within the wreckage, Andrew Young, Mycroft Holmes, Charteris Kartazen, Leon S. Kennedy, and Gallagher linger like fevered apostles. One bears a torch as if to illuminate, another strikes the pillars into dust, another kneels to gods who have long turned their faces away. They are martyrs and betrayers, saints in their silence, executioners in their breath. Their gospel is not salvation but collapse, and I remain the cathedral they could not complete—neither holy nor profane, trembling in the rift between devotion and desecration.
What remains is less a testament than a hymn unraveling at its last note. A city of dust clinging to its faint ember, a psalm still echoing though the choir has abandoned the nave. I endure as ruin and as relic, consecrated in blasphemy, condemned by faith that gnaws at its own foundation.
Step closer, if you will. Do not expect symmetry or sanctity. Seek instead the fissures where stray light bleeds through, the half-erased prayers scratched into collapsing stone. There, among the fractures, is where I dwell. There lies the only truth I can offer you: a ruin that refuses to be silenced, a devotion that survives only because it is broken. ㅤㅤ
How can I read @feredos without a Telegram account?
TGViewer shows the public web preview Telegram publishes for OUR LOVERS: Be YOURs.: recent posts, photos, videos and the subscriber count, with no app, login or account.
How many subscribers does OUR LOVERS: Be YOURs. have?
OUR LOVERS: Be YOURs. (@feredos) has 60 subscribers on Telegram, refreshed roughly every 30 minutes.
Does OUR LOVERS: Be YOURs. know I viewed it here?
No. Public channel previews carry no viewer identity, and TGViewer has no accounts or tracking of what you look up.