From http://www.joecellwaterscience.com/science_2.html on The Joe Cell and Water Science (Nav: #JC)

The charge in the water can differ depending on many variables such as the shape of the basin and the transmitter.

Once it is understood that a “magnetic field memory” can be permanently or temporarily imparted to water, and that the resultant “charged” water has unique properties specific to the format of the magnetic field imparted as determined by the shape of the device, one can experiment with all sorts of sizes, shapes and metallurgy of magnetic field generation devices. Every field of human endeavor can be experimented on.

In the old world, musicians were said to have been hired by the richest men to compose and perform their material in the manors in which their employers resided. It is entirely possible that they hired these musicians to compose and perform in their mansions because it charged their water and water vapor when they played.

We have all seen the cymatic videos. Now imagine a far more advanced system where entire symphonies would be played and the water in the mansions would shape themselves in complemence to the music. And different music in different keys, scales, timbres, textures, and tempos would change the shape of the cymatics in the water which would charge the water differently, therefore, giving a different sensation to the listener who is not only listening to the music, but inhaling the charged water that the music is charging. Think of it as a whole new way of experiencing music.

This may be the reason that composers like Joseph Haydn were commissioned to write new material over and over again, because each piece would give a different sensation to the listener inhaling the charged water. The question is, what on Earth do these sensations feel like? I guarantee that we all have already experienced this, just in smaller parts. Not only that, the music would technically charge the water already inside our bodies as well. Now imagine listening to music in the greatest room built for acoustics like a cathedral. That assumedly is quite similar to what the people of the old world experienced, but we'd need to turn these buildings back on as well.

Haydn was a Kapellmeister for the Esterházy family for 18 long years before he was even allowed to compose to anyone else. His occupation was so important that he barely went out in public and communicated to other people.

Why were families back then so musically inclined? Everyone studied music. Music was far more important in those days. But why?